Beyond the ordinary

The antithesis in the image of beauty

Dana Cristache hates her past in front of her parents Ana and Radu, from whom she almost never asks for help from, and continuously learns to manage life by herself, without them as an adult, as she in the past has endured being told multiple times “from now on you deal with life on your own”.

She has a mental disease, and with  her partner both are hurting themselves with a poisoned attitude towards their children yet having care of them everyday. In between them there is a cold relationship, and keeping it alive like that  involves darkness in faith. 

Una, the youngest child, has her way of being innocent and naive by not telling anyone about how she feels. They live under traditional habits, followed by the community, and are “kept away from any impossibility of choice” by living with respect for the priest. 

Live a sad life with or without fear

The family of three

Dana is mentally ill and she is living with fear of death exponentially bigger like in another’s. Dark thoughts of death in her consciousness usually end up in strong reasoning. So she is good in spirit regarding her children, but when her father gets annoyed by having to live a ‘not so good’ life in their unfurnished apartment, they are coming down from  every high hopes they were in. 

There are certain rulers that govern the family, as in a celestial way, in which Saturn is protecting its rings.

The children are the only ones who understand being young in spirit.. in the family, because besides them, the adults are all fragmented inside because of their traumas. Their telepathy exists, and the children find out they can hear each other in between their thoughts, but because of the constant hate that is dominating the family, their gate to consciousness gets disconnected quickly, to parts of the zero source point of thoughts in this Universe. 

In the family the  two sisters are separated at the line of creation, by their different parents. Una is adopted by the family, and her little sister Cristine, has been born by her natural parents. 

In the interior of the mind 

The husband and the wife are idolatrizing one on the image of each other, and develop an obsession on the beauty of the face, and mirror this behavior of the ‘ beautiful face ‘ of the children as well. They, themselves, the parents, don’t see in the interior of their soul, and prefer consciously to emulate negative trait characters for their children to understand and develop.

In the curse of beauty, everything learned and interiorized reflects further in you, as the beautifulness reflects in the mirror. 

She, Dana, looks at herself in the mirror and says as a thought something like “I like how I have dressed up!”, with innocence her child asks “Why does your hair look like that?”, she doesn’t respond preoccupied, her children is left being outside and sad. 

Later on in life she looks in the mirror and responds to her thoughts of beauty “Why does your hair look like that?” with aggressiveness. She has replaced being loving with being spiteful. Unconsciously, she is punishing herself in time,  for her earlier “in time" behavior. That moment cannot be replaced, but the body can be healed.  

She is beginning to feel inside thoughts not reasonable for her soul and spirit, in present time, and with their shadows becoming more and more prominent, the way these parents encourage other parents to have inappropriate behaviors towards their children is increasing. What is most important to exacerbate in this story is the child sadness left behind these types of aggressive attitudes. Helpless looking for a path for healing. Some become stories of the inner children being wounded, others become synopsis for movies, and the most sad stories end in death.

On the other extreme, the fantasies of the adults are disturbing, and what can be seen in Dana Cristache’s family, is a perpetuation of the children’s trauma being transposed further in the generation, as a wounded song that cannot be forgotten.